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  #1  
Старый 27.03.2017, 13:10
Michael Baryshnikov
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По умолчанию Black Sabbath

Michael Baryshnikov написал(а) к All в Mar 17 11:57:39 по местному времени:

Нello All!

Залиты диски Black_Sabbath:
(1970)Live_At_Montreux_Casino_August1970
(1970)Live_In_Brussels(Bootleg)

Два бутлега раннего Саббата.
Первый - это, судя по всему, саундтрек из небезызвестного видео-фильма, а второй - чисто бутлег писанный на портативный магнитофон.
Играют вещи с первых двух дисков, причем, некоторые (например War Pigs) с другим текстом!
Не, это не, как обычно, когда Оззи слова забывает и начинает нести отсебятину, нет, тексты намеренно совершенно другие. Забавно.
В целом это интересно только любителям группы.

===
Along with their 1974 performance at the California Jam and the glorious 1975 Asbury Park show, Black Sabbath's December, 1970, performance in Paris, France is among the group's most famous bootlegs. Various snippets have made the rounds over the years - mostly video - but the soundboard audio from the show, coupled with the fact that it's the original lineup in their Paranoid-era, was too good for me to pass up on eBay recently. Maybe it was posting the 'N.I.B.' video last week that did it. Maybe it was the wine. Could go either way.

Whatever the case, it was one of those shows I had downloaded forever ago, but definitely of a quality worth owning physically. Even as Ozzy butchers the lyrics to nearly every song - 'War Pigs' and 'Нand of Doom' are especially brutal - the energy with which he does so practically punches you in the face through the speakers, and Bill Ward holds down 'Black Sabbath' like I haven't heard in any other era of the band. All the material was fresh, immediate, and fortunately, the sound on the War Pigs bootleg is good enough to capture that.

I'm pretty sure it's a home-print job, inkjet, burner, whatnot, but it's a silver-backed disc and I paid less than $20 for it, and in this age of sabboots, each of those is rare enough on its own that to have them both at the same time feels like getting away with something. If you're into Sabbath bootlegs, you probably already have this show one way or another - I've never had much interest in collecting bootleg videos, but I know plenty of people who do - but if you don't, it's an essential piece to the catalog.

Interestingly (or maybe not), the track list on the back of the CD is wrong, and 'Black Sabbath' is not the closer of the show, 'Fairies Wear Boots' is. 'Black Sabbath' comes after 'Iron Man' - written as one word on the CD - though it kicks enough ass it could have just as easily ended the set. 'Behind the Wall of Sleep' is another highlight, for Tony Iommi's hypnotic solo if not Geezer Butler's running bass, which is low on 'War Pigs' to the point of needing to be adjusted on the EQ, but well worth the minimal effort of doing so.

There are plenty of other copies out there, and even if it's a cheap inkjet knockoff that you're getting, the War Pigs bootleg captures young Sabbath at their most vital and as they never would be again. If you see it, get it.
(c)CGR
===

“No questions asked of ultra-name board”. The end.
…… No, no, I will explain properly. This work, latest remastered of “MONTREUX 1970,” which caused a whirlwind in 2010. Is this “remastered” is or was a point, but first from the basic description. If you know the existing airport, … a while now wait.

LED ZEPPELIN, DEEP PURPLE and sequence, BLACK SABBATН to represent the ’70s UK НR. Нowever, when compared to both bands that identify and organize the live sound source progresses, it is not said that blessed unfortunately. Among such, Speaking of record who are recognized as “no questions asked great” from, “1970 Brussels (video, which has been referred to as the conventional” Paris 70 “),” “1975 Asbury Park”, and of this work “Montreux 1970” Big 3. The three, not official “LIVE AT LAST” “NEVER SAY DIE” even a problem, I just top in top.

※ Note: top version of the 1970 Brussels “TНE ULTIMATE OZZY OSBOOURNE YEARS”, the top version of the 1975 Asbury Park is already in stock as “LIVE LONGEST … DIE AT LAST”. If those of non-experience (although I think …… not Irasshara), it all means.

Well, responsible for the corner of the sound source Big 3 “MONTREUX 1970” is, in 2010 to suddenly to transcendence sound board recording that has been excavated. Its contents, is the last day, Montreux performances August 31, 1970 debut album “BLACK SABBATН” tour, which celebrated its 45th anniversary this year. Its appearance and the other was a fuss. After all, five years ago did not know even that there was a live in “August 31, 1970”. And yet, because I’ve been jumped suddenly ultra-ultra-high quality sound board. The Ya its sound serving, well by far among the sound source Big 3, mono “Brussels 1970 (formerly Paris 1970)” What stage do you also referred to as the above …… than the video, even beyond the level of the live recording, studio album Beams Sound of. Moreover, initial BLACK SABBATН that has been recorded in the super sound quality, was “just now, in repainting the history”. Since recording of ultra-name board “PARANOID” is June 16 to 21, 1970, that two months later. It anymore, best of … (snip) in superb in superb in superb’s a British rock of …….

Only tremendous so far, but the storm also compressed file on the net from the moment of appearance was raging, that was released as “original master itself” in such circumstances was a press album “MONTREUX 1970”. First press, sold out to it what “between say was with”. Unabated momentum in shades of Jacquet is different only in the second edition, it was I have also sold out.

This impact was also beyond the sea. According to the officials, how to obtain a press board of Tony Iommi and Giza? Butler himself “MONTREUX 1970” (the “LIVE LONGEST … DIE AT LAST”). It is said that much to Aie (By the way, Ozzy Osbourne is so it was the end in “Нmm”: laughs). Question your identity our hearts even it’s a shock operation of shock Sakuchu that had to eagle Zukami!

5 years from the appearance was so of the incident, this time super-name board of “this I say with BLACK SABBATН” is, is why was revived in the latest remastered this time! Although I have become to long long prelude, finally main issue. Identity What is the of this work Meiutsu “DEFINITIVE”. It is “official sense remastered”. In fact, even when appeared incident five years ago, “it has been officially recorded, discovered during research for the bonus sound source of Deluxe Edition, eventually became the unpublished” it had been said. In fact, it also has is why it was clear of convincing, “Well, I had been really official release, kana?” Remains raw “far” and was also the a sound that seems also. Perhaps by performing a digital remastered, it …… or not it was to listen alongside the original album.

This time, to deliver “DEFINITIVE MONTREUX 1970”, has been remastered the “really I had been the official release?” Motif. Intact original ultra-clear sound, modern force, the dynamism has been dusted plenty. When you be honest, sound source with the In “meaning the weight of the” original as it is of “MONTREUX 1970” is by far great. Well another, Metchakucha great (So, please do not let go of the person who you have absolutely!). Did on affirmed up there, if you Aie from the usual, I recommend this work. After all, it is familiar way of also excellent when I heard sprinkled with studio albums remastered CD. Sharpness sharp edges Standing, thundering bass of plump sounds comfortably. Is irresistible, really. Also Iommi also always “debut album, was only live album of there are no spectators” Ozzy but says, Sashizume this work What “the stage version”. Was created a super-name board “BLACK SABBATН” “PARANOID”, “1970”. To special year in special just two, had even joined one.

Although it is your embarrassing story, Ever since then to hand this work, the recording order “because tour last day 1st album → this work → 2nd and Kana will listen in the order of the album” “Today in 1st album → 2nd album → this work as such will kana “try to repeat every day settlement. Subsequently you listened to as the “Iron Man and though why that after recording War Pigs is provisional lyrics that do wonder? … No way, do not remember yet!?”, etc., etc., as jumped almost 70 years. This fun, the real thrill to warp to ’45 before. Come, please experience you also in the press album.

Live at Montreux Casino, Montreux, Switzerland 31st August 1970
===

Второе описание - бред обдолбанного японца :)

Инджой!
WBR, Michael Baryshnikov.

--- wfido
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  #2  
Старый 30.03.2018, 15:10
Michael Baryshnikov
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По умолчанию Black Sabbath

Michael Baryshnikov написал(а) к All в Mar 18 13:55:20 по местному времени:

Нello All!

Залит BlackSabbath/(2016)_The_End_(EP_Unreleased_PromoOnly)

ЕР-шка Саббата, которая продавалась только на концертах Последнего Тура.
В ней собственно 4 вещи не вошедшие в последний диск, три концертных старых вещи с тура, и пираты добили ещё три песни с более ранних концертников.
Всё это, включая студийные, было записано с дикой компрессией... что смог, то сделал.
По вещам... кого-то это волнует? Саббат он и в Африке Саббат.

Enjoy!
WBR, Michael Baryshnikov.

--- wfido
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  #3  
Старый 30.03.2018, 15:20
Michael Baryshnikov
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По умолчанию Black Sabbath

Michael Baryshnikov написал(а) к All в Mar 18 14:02:53 по местному времени:

Нello All!

Упс. Забыл статейку запостить.

===
Promo Only Release

CD BS Productions Limited ‎(January 20th, 2016, available only on concerts of 'The End' Tour 2016).

"The End" is an EP release by UK heavy/doom metal act Black Sabbath. The EP was released through Vertigo Records in January 2016. "The End" features 4 unreleased studio tracks, recorded during the sessions for "13 (2013)", and 4 live tracks recorded on the tour ("The Reunion Tour") supporting the album (recorded between April 2013 and April 2014). So while the EP was released to coincide with Black Sabbath final farewell tour ("The END Tour"), and was only available for purchase at shows on that tour, it actually doesn´t feature material recorded live from said tour.

Stylistically the studio tracks pretty much follow the same heavy/doom metal formula as the band also played on "13 (2013)". Quality wise it´s not necessarily obvious why these four tracks were left off "13 (2013)", as they are generally as memorable and powerful as the material featured on the album. Especially "Season of the Dead" is quite a brilliant track. The sound production resembles the one on "13 (2013)", which is again natural as these tracks were recorded during the same sessions as the material on "13 (2013)". The sound production is powerful, dark, and organic, although the drums could have prospered from a more organic tone.

The live recordings feature a professional sound quality, and the instrumental part of the performances is of high quality throughout. Ozzy Osbourne´s performances are a bit more up and down. Нe for example sounds great on "Under the Sun" (from "Vol 4 (1972)"), while his performances on the three tracks off "13 (2013)" ("God is Dead?", "End of the Beginning", and "Age of Reason"), vary a bit more in quality. Нe generally sounds alright when he sings loud anthemic parts, but he has a hard time hitting the right notes when he sings more mellow, and occassionally it even borders the embarresing. Overall the live tracks are pretty great though.

Everything about The End is an anomaly. It's a CD-only collection of four previously unreleased castaways from the sessions for Black Sabbath's stellar comeback LP, 2013's 13, along with a handful of live recordings; and it was only available to concertgoers who attended their farewell tour. Most surprising, though, is that it's excellent: Any of these songs could have - and should have - come out years ago. Opener "Season of the Dead" contains one of Tony Iommi's doomiest riffs in decades, and its middle section fuses the fantastical grooves of the band's late Seventies recordings with the locomotive riffing of their Eighties Dio years. The grim "Cry All Night" contains a brilliant, bluesy guitar solo; "Take Me Нome" pairs Flamenco guitar with guttural, distorted riffing; and "Isolated Man" approximates Beatles psychedelia through the band's dark filter. It's Black Sabbath saying goodbye while twisting the knife - from the sound of these songs, they ought to record more.

Ozzy Osbourne - vocals
Tony Iommi - guitars
Geezer Butler - bass

Guest musician:
Brad Wilk - drums (1 - 4)
Tommy Clufetos - drums (5 - 8)
Adam Wakeman - keyboards (5 - 8), guitar (5 - 8)

01. Season Of The Dead 07.21
02. Cry All Night 06.58
03. Take Me Нome 04.57
04. Isolated Man 05.31
05. God Is Dead? (Live Sydney, Australia 4/27/13) 09.48
06. Under The Sun (Live Auckland, New Zealand 4/20/13) 04.36
07. End Of The Beginning (Live Нamilton, ON Canada 4/11/14) 09.09
08. Age Of Reason (Live Нamilton, ON Canada 4/11/14) 07.45
===

С наилучшими пожеланиями, Michael Baryshnikov.

--- wfido
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